Home : Video : Camera Work : Part 1 : Framing

Framing

Shots are all about composition. Rather than pointing the camera at the subject, you need to compose an image. As mentioned previously, framing is the process of creating composition.

Notes:


Basic shot types

There is a convention in the video industry which assigns names to the most common types of shots. The names and their exact meanings may vary, but the following examples give a rough guide to the standard descriptions. The point isn't knowing the names of the shot types (although it's very useful), as much as understanding their purposes.

Basic shots are referred to in terms relative to the subject. For example, a "close up" has to be a close up of something. A close up of a person could also be described as a wide shot of a face, or a very wide shot of a nose.
The subject in all of the following shots is a boy standing in front of a house.

Extreme Wide Shot
EWS (Extreme Wide Shot)
In the EWS, the view is so far from the subject that he isn't even visible. The point of this shot is to show the subject's surroundings. The EWS is often used as an establishing shot — the first shot of a new scene, designed to show the audience where the action is taking place.
Very Wide Shot
VWS (Very Wide Shot)
The VWS is much closer to the subject. He is (just) visible here, but the emphasis is still on placing him in his environment. This also works as an establishing shot.
Wide Shot
WS (Wide Shot)
In the WS, the subject takes up the full frame. In this case, the boy's feet are almost at the bottom of frame, and his head is almost at the top. Obviously the subject doesn't take up the whole width of the frame, since this is as close as we can get without losing any part of him. The small amount of room above and below the subject can be thought of as safety room — you don't want to be cutting the top of the head off. It would also look uncomfortable if the feet and head were exactly at the top and bottom of frame.
Mid Shot
MS (MidShot)
The MS shows some part of the subject in more detail, whilst still showing enough for the audience to feel as if they were looking at the whole subject. In fact, this is an approximation of how you would see a person "in the flesh" if you were having a casual conversation. You wouldn't be paying any attention to their lower body, so that part of the picture is unnecessary.
Medium Close Up
MCU (Medium Close Up)
Half way between a MS and a CU. This shot shows the face more clearly, without getting uncomfortably close.
Close Up
CU (Close Up)
In the CU, a certain feature or part of the subject takes up the whole frame. A close up of a person usually means a close up of their face.
Extreme Close Up
ECU (Extreme Close Up)
The ECU gets right in and shows extreme detail. For people, the ECU is used to convey emotion.
Cutaway
CA (Cutaway)
A cutaway is a shot that's usually of something other than the current action. It could be a different subject (e.g. these children), a CU of a different part of the subject (e.g. a CU of the subject's hands), or just about anything else. The CA is used as a "buffer" between shots (to help the editing process), or to add interest/information.

Some Rules of Framing

Once you're comfortable with the do's and don'ts, you can become more creative. Think about the best way to convey the meaning of the shot. If it's a baby crawling, get down on the floor and see it from a baby's point-of-view (POV). If it's a football game, maybe you need to get up high to see all the action.

Look for interesting and unusual shots. Most of your shots will probably be quite "straight"; that is, normal shots from approximate adult eye-level. Try mixing in a few variations. Different angles and different camera positions can make all the difference. For example; a shot can become much more dramatic if shot from a low point. On the other hand, a new and interesting perspective can be obtained by looking straight down on the scene. Be aware that looking up at a person can make them appear more imposing, whereas looking down at a person can diminish them.

Watch TV and movies, and notice the shots which stand out. There's a reason why they stand out — it's all about camera positioning and frame composition. Experiment all the time.


Basic Camera Moves

As with camera framing, there are standard descriptions for the basic camera moves. These are the main ones:

Pan: The framing moves left & right, with no vertical movement.

Tilt: The framing moves up & down, with no horizontal movement.

Zoom: In & out, appearing as if the camera is moving closer to or further away from the subject. (There is a difference between zooming and moving the camera in and out, though. There'll be more about that in the intermediate tutorial.)
When a shot zooms in closer to the subject, it is said to be getting "tighter". As the shot zooms out, it is getting "looser".

Follow: Any sort of shot when you are holding the camera (or have it mounted on your shoulder), and you follow the action whilst walking. Hard to keep steady, but very effective when done well.

Note: Most camera moves are a combination of these basic moves. For example, when you're zooming in, unless your subject is in the exact centre of frame, you'll have to pan and/or tilt at the same time to end up where you want to be.

For more information see camera moves.


Next Page: Shooting Technique

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